The photograph you saw in yesterday's blog of the group of writers chatting on the beach at Carmel-by-the-Sea was taken (I have just learnt) by Arnold Genthe (1869–1942) a German-born American photographer who was a member of the artist community in Carmel. Here is an image of Genthe in his bungalow in Carmel.
The direction I want to take with our blog is to examine the role artists play in communities that have suffered great loss through natural disasters. As we learnt yesterday the art colony at Carmel was established as a direct result of the 1906 earthquake that destroyed 80% of San Francisco and killed thousands of people. Even though he lost his studio in the disaster Arnold Genthe photographed the aftermath and his images are a horrifying but significant reminder of the destruction. His most famous photo is Looking Down Sacramento Street, San Francisco, April 18, 1906
(Credit: Photography_Nicole World Press.com
(Credit: Wikimedia Commons)
(Midland Daily News)
Arnold Genthe was born in Berlin, Prussia, to Louise Zober and Hermann Genthe, a professor of Latin and Greek at the Graues Kloster (Grey Monastery) in Berlin. Genthe followed in his father's footsteps, becoming a classically trained scholar; he received a doctorate in philology in 1894 from the University of Jena, where he knew artist Adolf Menzel, his mother's cousin. After emigrating to San Francisco in 1895 to work as a tutor for the son of Baron and Baroness J. Henrich von Schroeder, he taught himself photography. He was intrigued by the Chinese section of the city and photographed its inhabitants, from children to drug addicts. (Wikipedia) From my reading I have learnt he worked in what is defined as a soft-focus pictorialist style.
(Credit: History in Photos)
Due to his subjects' possible fear of his camera or their reluctance to have pictures taken, Genthe sometimes hid his camera. He also sometimes removed evidence of Western culture from these pictures, cropping or erasing as needed. About 200 of his Chinatown pictures survive, and these comprise the only known photographic depictions of the area before the 1906 earthquake. (Wikipedia)
Genthe knew some of the city's wealthy matrons, and as his reputation grew, his clientele included Nance O'Neil, Sarah Bernhardt, Nora May French, and Jack London. In 1904 he traveled to Western Europe and Tangier with the famous watercolorist, Francis McComas. (Wikipedia)
When Genthe joined the art colony in Carmel-by-the-Sea he began to pursue his work in colour photography (see above). Of his new residence, he wrote: The cypresses and rocks of Point Lobos, the always varying sunsets and the intriguing shadows of the sand dunes offered a rich field for color experiments.
Although his stay in Carmel was relatively short (1905–07), he was appointed in 1907 to the Board of Directors of the Art Gallery in Monterey’s luxury Hotel Del Monte, where he insured that the work of important regional art photographers, such as Laura Adams Armer and Anne Brigman, was displayed with his own prints. By the spring of 1907 he had established his residence and studio at 3209 Clay Street in San Francisco, where he continued to enjoy membership in the celebrated Bohemian Club, attend prominent society functions, display his own work, and pen newspaper reviews of photo and art exhibitions.
In 1911 he moved to New York City, where he remained until his death of a heart attack in 1942. He worked primarily in portraiture, and Theodore Roosevelt, Woodrow Wilson, and John D. Rockefeller all sat for him. His photos of Greta Garbo were credited with boosting her career. He also photographed dancers, including Anna Pavlova, Isadora Duncan, and Ruth St. Denis, and his photos were featured in the 1916 book, The Book of the Dance. (Wikipedia)
I am sure you will be delighted to know that Genthe owned a cat called Buzzer who often appeared in portraitures with Genthe's subjects. Here is Buzzer with the actress Ann Murdock.
Genthe’s portrait of the beautiful Greta Garbo.
(Credit: curiator.com )
In the next blog you are going to meet a remarkable woman who survived the 1906 San Francisco Earthquake, personal hardships and became an artist whose paintings dance before your eyes through her vibrant colours and forms.