Beyond Elves and Fairies

I have successfully got rid of the elves only to be replaced by Fairies and these little creatures, or at least their creator, comes from Bendigo, my home town!
(Credit: Fiveprime)

Ola Cohn (born Carola Cohn 1892–1964) was an Australian artist, author and philanthropist best known for her work as a sculptor in a modernist style. Locally she is famous for her Fairies Tree in the Fitzroy Gardens, Melbourne.

Ola explains in her own words: I have carved in a tree in the Fitzroy Gardens for you, and the fairies, but mostly for the fairies and those who believe in them, for they will understand how necessary it is to have a fairy sanctuary - a place that is sacred and safe as a home should be to all living creatures. (
(Credit: Zoe Boccabella)

The carvings were done years after the death of the tree and so the problem of the trunk's preservation presented a problem. In 1977, the trunk was extracted from the ground for chemical treatment and the removal of rotted wood, and during the process, a mummified brush tail possum over 40 years old was found perfectly preserved within the trunk. The tree was remounted on a concrete base to prolong its life. (

Of interest is that Ola's trees were inspired by the Elfin Tree in London's Kensington's Gardens. The Elfin Oak is the stump of a 900-year-old oak tree in Kensington Gardens in London, carved and painted to look as though elves, gnomes and small animals are living in its bark. The hollow log, donated by Lady Fortescue, originally came from Richmond Park, and was moved to Kensington Gardens in 1928 as part of George Lansbury's scheme of public improvements in London. Over the next two years the illustrator Ivor Innes carved the figures of the "Little People" into it. These included Wookey the witch, with her three jars of health, wealth and happiness, Huckleberry the gnome, carrying a bag of berries up the Gnomes' Stairway to the banquet within Bark Hall, and Grumples and Groodles the Elves, being awakened by Brownie, Dinkie, Rumplelocks and Hereandthere stealing eggs from the crows' nest. (Wikipedia)


At the risk of being flippant- there was much more to Ola Cohn and her art than the creation of fairies and other small folk in trees. I couldn't find many examples of her more serious works online but I did find this plaster with bronze patina sculpture of a Young Boy made by Ola in 1921. I love the expression on his face, wondering just what this world is all about.

In 1926 Ola went to London and studied at the Royal Collage of Art and learnt from the master himself Henry Moore. She began producing sculptures in stone, wood, terracotta and bronze, reducing the human form to very simple shapes- a technique which was considered to be very modern at the time. I am not sure when this delightful figure was created but from the style I would think early in her study.
(Credit: Australian Art Sales)

And this interesting sculpture is Ola Cohn's Head of a Virgin created in 1926 showing the influence of the study classes in Egyptian, Assyrian and archaic Greek sculpture Ola undertook at the British Museum.
(Credit: National Gallery)

In the late 1930s Ola Cohn returned to live in Melbourne where she set up her studio and supplemented her income with teaching at the Geelong Church of England Grammar School and the Melbourne Kindergarten Teachers' Collage. I know Ola Cohn carved two wooden angels to flank the entrance to the Chapel of Our Lady and the Angels, St Peter's, Eastern Hill and I found an image of one: the Archangel Michael standing on top of the post framing the screen to the left of the entrance.

Ola Cohn was a grand mixture of whimsical and spiritual creations. If any one knows more of her works please let me know. I will leave you with this delightful pen and ink on paper illustration titled I Did 'Em.

Bendigonians associate the Cohn Family with cordial and preserves as a family business was established in Bendigo during the Goldrush by the three Danish Cohn brothers. And those of us who like a beer will know that it was the Cohns who introduced lager (served very cold) to the Australian public in 1882. (

How many of you know that the daughter of Julius Cohn (one of the brothers) was a modern sculptor, writer and illustrator of stories of considerable talent? If I unearth any more of her wonderful creations I will bring them to you.

And speaking of Central Victorians, D of Bendigo has just sent me this beautiful painting of Pomegranates done by Betty Neville in 1980. We will be studying the Art of Still Life during the year as we begin to dive deeper into the fascinating world of creation.
(Credit: Central Goldfields Art Gallery- Maryborough, Victoria)

The description which accompanies the painting states:
Looking for some inspiration for your festive season table setting? This still life of Pomegranates is another treasure from the gallery's permanent collection. Pomegranates have long been included in still life paintings, dating back to the time of the Egyptians. The pomegranate fruit has been used throughout history and in virtually every religion as a symbol of beliefs such as life and death, rebirth and eternal life, fertility and marriage, and abundance.

Tomorrow we will meet a neighbour of Ola Cohn's- someone many Australians will know well- someone who grew into a remarkable sculptor from her beginnings in war torn Austria. Hopefully that has given you some thing to think about.

Anne Newman

Oil Painter in realistic genre style, predominantly buildings and people. To continue the discussion contact Anne on or phone +61 407 516 522

Melbourne, Victoria, Australia

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