(Credit:carmelheritage.org)

(Credit: Wikipedia)

(Credit: Wikipedia)

(Credit: Pinterest)

(Wikipedia)

(Wikipedia)

As I am running out of time today (the Halloween Party is calling for its manager!) I will give you some information about Anne Milly Bremer. She was born in San Francisco on May 21, 1868, to upper-middle-class German-Jewish immigrants Joseph and Minna Bremer. In 1880-81 she traveled in Europe with her parents, and they brought back a cousin, Albert Bender, from Dublin, Ireland, to live with them and work for another uncle, William Bremer. She studied art with Emil Carlsen at the San Francisco Art Students League and with Arthur Mathews and others at the California School of Design, Mark Hopkins Institute of Art, receiving a Certificate of Proficiency in 1898.  By the time she graduated she was on the board of the Sketch Club, an organization of San Francisco women artists, and she was its president at the time of the 1906 San Francisco earthquake.  Under her leadership the Sketch Club produced the first major art exhibition in the city after the disaster and enlarged its membership to include men. (Wikipedia)

She lived in Berkeley during 1907, attended summer classes at the University of California, and painted a series of East Bay landscapes. That year she also began exhibiting in the new gallery of California artists in the Hotel Del Monte in Monterey. After two years back in San Francisco, she moved to New York by January 1910, where she studied at the Art Students League. She sailed to Europe in mid-April 1910 and traveled, primarily in Italy, then settled in Paris, where she remained until September 1911 and studied at the Académie Moderne and Académie de la Palette.

After returning to San Francisco she had her first solo exhibition at the gallery of Vickery, Atkins & Torrey in March 1912 and another at the St. Francis Hotel in November–December 1912. While painting in Carmel-by-the-Sea, California during the summer of 1912, she met and befriended the artist Jennie V. Cannon, who used her own studio-gallery to stage the first exhibit of Bremer’s work on the Monterey Peninsula and hosted an opening-night banquet in her honor.

(Credit: Mills Collage of the Arts Museum)

Beginning in 1921 she was coping with leukemia. She gave up painting and turned to studying literature and writing poetry. She died in October 1923.

Style

(Credit: Anne Harlow Independent Scholar)

Legacy

Following her death in 1923, Albert Bender established several memorials, including an award for art students and the Anne Bremer Memorial Library at the San Francisco Art Institute, a marble chair in the Greek Theatre at the University of California, Berkeley, and an outdoor sculpture at Mills College. He also sponsored publication of a pair of limited edition books, The Unspoken and Other Poems and Tributes to Anne Bremer (Printed by John Henry Nash, 1927). Through Anne Bremer's influence and contacts with artists, Albert Bender was inspired to become an important patron of artists and art museums and a founder of the San Francisco Museum of Modern Art and Mills College Art Museum.[12] Bremer and Bender are buried side by side in Home of Peace Cemetery, Colma, California. (Wikipedia)