As I mentioned yesterday Margaret Olley lived in Paddington, a converted hat factory and adjoining terrace house. Suffering from ill health in her latter years, she spent a lot of time at home, continuing to paint prolifically, usually from compositions she created there.
Central to the MOAC is the recreation of areas of Margaret’s famous home studio, principally the Hat Factory and the Yellow Room. The room Margaret painted in was originally the milliners' workshop.
The recreation features original architectural elements such as windows and doors, relocated from Margaret’s home studio at 48 Duxford Street, Paddington, Sydney. The interiors are filled with over 20,000 items she collected over many years as subject matter for her paintings.
These combined elements offer a rich and dynamic context for Olley’s extensive artistic career. I had the pleasure of visiting the gallery a number of years ago and viewing what were her personal spaces, enticed by the open doors to her living room (hero image)
Margaret would constantly move and rearrange items in a constant quest for the perfect still life. As in this example, the room is so full – it is hard to know where to focus your attention.
(Source: Tweed Gallery - my own photo)
(Source: Tweed Gallery- my own photo)
(Source: Tweed Gallery)
Source: Art Gallery of New South Wales.
While here we see the same silk screen, however furnishings and paintings have been moved around.
If you are ever in the Tweed Valley (only a few hours south of Brisbane) I urge you to visit the gallery – which from the view in the photo earlier is located in a beautiful area. The MOAC is a wonderful insight into the life of Margaret Olley and admission is free.